Disturbing the Peace

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Reviews

Cryptic Rock:
"Disturbing the Peace: 415 Records and the Rise of New Wave is a strong, tightly-written book that brings the heyday of 415 Records to life. The label's mission statement was to be a fun place to produce music [more] than focusing on profit and, through the ups and downs, Kopp really brings that out in his writing." -- Day Heath
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NuDisc:
"I wish every book written about independent record labels, bands, scenes or movements was written with this much of an even-tempered hand." -- Marsh Gooch
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More Praise for the Book

In the late 1970s, indie labels popped up all over America, forming an underground network that altered the course of musical history. Each one had a vision, characters and a story of DIY ingenuity, but those were overlooked as their bands took the spotlight. Trouser Press worked a lot with Howie Klein and San Francisco's pioneering 415 label, but I really didn't know much about the company. Thanks to Bill Kopp's definitive Disturbing the Peace, now I do.

-- Ira Robbins, co-founder of Trouser Press magazine


The direct line leading from San Francisco's psychedelic hippie-band era of the '60s to the city's punk and new wave movement of the late '70s-'80s has never been drawn this clearly -- or with this much sheer elation -- before. Although they might seem to have little in common musically, philosophically or stylistically, 415 Records bands like Romeo Void, The Nuns, Translator and SVT (whose bassist, Jack Casady, had been in the earlier era's Jefferson Airplane and Hot Tuna) followed the same guiding DIY principles, rebelliously eschewing a craving for mainstream success in favor of fomenting a true cultural revolution. Disturbing the Peace is more than just another profile of a local rock scene or record label -- it's the story of a seismic shift, and the passions of the people who created it.

-- Jeff Tamarkin, author of Got a Revolution!--The Turbulent Flight of Jefferson Airplane

By sweeping together the minutiae of one particular music scene -- San Francisco in the late 70s and early 80s, when 415 Records began and flourished -- Bill Kopp manages to remind us of the way punk and alternative music blossomed into cultural forces influencing the 90s and beyond. Yes, it really happened: dozens and dozens of bands, club hoppers, radio hounds and record store geeks built and maintained a scene without the internet. This devourable, fanatically researched document is indispensable for those who were there and will gall into jealousy those who weren't.

-- Karen Schoemer, author of Great Pretenders: My Strange Love Affair with 50s Pop Music



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Disturbing the Peace [book cover image]

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